Digital Packratting is the antithesis of this trend. It requires intentional curation, because you’re limited by the amount of free space on your media server and devices—and the amount of space in your home you’re willing to devote to this crazy endeavor. Every collection becomes deeply personal, and that’s beautiful. It reminds me of when I was in college and everyone in my dorm was sharing their iTunes music libraries on the local network. I discovered so many new artists by opening up that ugly app and simply browsing through my neighbors’ collections. I even made some new friends. Mix CDs were exchanged, and browsing through unfamiliar microgenres felt like falling down a rabbit hole into a new world.
While streaming platforms flatten music-listening into a homogenous assortment of vibes, listening to an album you’ve downloaded on Bandcamp or receiving a mix from a friend feels more like forging a connection with artists and people. As a musician, I’d much rather have people listen to my music this way. Having people download your music for free on Soulseek is still considered a badge of honor in my producer/dj circles.
Janus Rose
The Digital Packrat Manifesto (404 Media)
Where possible I try to make sure I get DRM-free files that I can keep. For music, I buy mp3s, usually as albums. For movies and shows, I do mostly stream. For any movie or show that I want to actually keep, I buy discs rather than digital copies. On the rare occasions that I buy a digital copy of a movie, I make sure it is on Movies Anywhere so that there is less chance I lose access due to one tech company deciding to abandon their service. For books, I only ever buy ebooks from stores that sell without DRM, like DriveThruFiction. For other books I want to read, I’ll either buy a physical copy or borrow a copy from the library.
Scott Boehmer 